my recent shots wtih Nikon D7100
Grace the dog and Cadbury the cat at f2.8 aperture mode shots in my bedroom, a 35 mm DX lens because of the crop factor appears like an old film 52mm lens, the film normal lens was the 50mm which approximated the field of view of normal human vision. The 35mm lens seems razor sharp, but it has one other quality that suits it for pet pix or people portraits, by going to aperture mode and shooting at f2.8 or even down to f1.8, you can throw the background out of focus and keep the main subject sharp. the otherwise excellent kit lens with the D3100, 18-55mm f3.5-f4.5 lens, cannot do that.
SOUNDS COMPLICATED BUT it really isn’t and the rewards are photos with more impact by making the depth of field shallow and selective. Try it out.
Time to take a look at some of my old camera collection.
The Argus C3 was a low-priced rangefinder camera mass-produced from 1939 to 1966 by Argus in Ann Arbor, Michigan, USA. The camera sold about 2 million units, making it one of the most popular cameras in history. Due to its shape, size, and weight, it is commonly referred to as “The Brick” by photographers (in Japan its nickname translates as “The Lunchbox“). The most famous 20th-century photographer who used it wasTony Vaccaro, who employed this model during World War II.
The first model was the Bessa L, introduced in 1999. This was a finderless body with a Leica screw mount. It was introduced with a range of Voigtländer 39mm screw lenses that were quite inexpensive and said to be of excellent quality. It could of course mount all the wide variety of 39mm screw lenses by manufacturers as diverse as Leica, Canon, Nikon and even cheaper but often excellent Soviet lenses.
The Bessa L was mostly intended to be used with ultra wide angle lenses, with which the absence of a focusing device is not a problem. Most notably Voigtländer introduced a 15mm and a 12mm lens, the latter being the widest rectilinear lens ever marketed.
The Bessa L has TTL metering with LED readout on the back edge of the top plate with an ASA range of 25–1600 and an EV range 1 to 19 at ASA 100. The readout consists of two red arrows pointing to a green light in between that enables use of the camera as, effectively, a shutter priority, aperture priority, or totally manual camera.
On some markets, the Voigtländer Bessa L was sold as the Cosina SW-107.
The Bessa L was supplemented in 2001 by the Bessa T, which used the Leica M-mount, could receive a trigger advance design, and had an integrated rangefinder with high magnification, but no viewfinder. It was sold in silver or black; from 2002, also in gray or olive (at a higher price and perhaps only in Japan). It is now discontinued but some stock is still available.
In 2001, the Bessa T was sold in a special kit, called 101st Anniversary (in short “T101”), with a 50mm f:3.5 collapsible Heliar lens, for the anniversary of the Voigtländer Heliar lens design. It existed in black, grey, olive and blue: five hundred numbered examples were produced for each color.
Nikon FM with MD-11 motor drive and Pentax Spotmatic both with f1.4 50mm lenses
This camera was purchased new by my late father who ramped up his interest in photography when he retired. It is a shame that he got this just a few years before autofocus hit consumer level 35mm film slr cameras. He struggled mightily with his bifocals and the FM viewfinder, also with getting a decent exposure for his photos. For some reason he liked to shoot color slides and slides are unforgiving when it comes to exposure.
The Spotmatic was introduced by Asahi Pentax in 1964. Fully mechanical SLR film camera using 35mm film. A small switch on the (photographer’s) left side of the lens housing was pushed up to stop down the lens and activate the meter; the exposure controls would then be adjusted to center a needle on the right edge of the viewfinder. The body took lenses with an M42 screw thread.
taken today with Nikon DSLR d3100 and two lenses: Nikkor 18-55 and Nikkor 55-200