Nikon FM with MD-11 motor drive and Pentax Spotmatic both with f1.4 50mm lenses
This camera was purchased new by my late father who ramped up his interest in photography when he retired. It is a shame that he got this just a few years before autofocus hit consumer level 35mm film slr cameras. He struggled mightily with his bifocals and the FM viewfinder, also with getting a decent exposure for his photos. For some reason he liked to shoot color slides and slides are unforgiving when it comes to exposure.
The Spotmatic was introduced by Asahi Pentax in 1964. Fully mechanical SLR film camera using 35mm film. A small switch on the (photographer’s) left side of the lens housing was pushed up to stop down the lens and activate the meter; the exposure controls would then be adjusted to center a needle on the right edge of the viewfinder. The body took lenses with an M42 screw thread.
if you click the image you will jump to my flickr account and will find in the Tugfest set several more shots taken at Tugfest 2013 this morning in Midland, Ontario, Canada. Nikon DSLRD3100 mostly with the 18-55mm lens.
Combat Graflex sometimes referred to as a Combat 70 or Gulliver’s Contax. Designed by Zeiss Ikon’s Hubert Nerwin. Resembles a Contax II on steroids. Madfe between 1953 and 1957 and used by the US ARMY SIGNAL CORP up to and including the early years of the Viet Nam War.
triplet photograph above shows the camera closed, the back with the information plate, and open, A compact folding viewfinder camera, the Balda Baldinette made in 1950s by Balda Bunde Kamera-Werk in West-Germany.
The above five lenses are listed from least to most expensive.
Isco Westar 50mm f/3.5 – my example has this lens.
1953, the Baldinette sold in the USA for US$40 (equivalent to US$317 in 2009). Copies with red and blue leatherette are known, but very rare.
The shutter needs to be cocked before firing.
In order to advance the film, you need to press in a safety button, preventing involuntary film advancing. After you advance a frame, the safety is locked until you fire the shutter again, so you can’t advance more then one frame at a time.
Polaroid 660 Sun Camera, purchased new by me, still in my collection of cameras.
The Polaroid Autofocus 660: a square-bodied instant camera in Polaroid‘s 600-series. It was the first in the range to use Polaroid’s patented Sonar Autofocus device. The distance to the subject was calculated by firing an infra-red beam that bounced back to a gold-coloured receiver behind a plastic grille.
The film was branded using different names: “Extreme 600” and “Notepad“.
A high definition “professional” film named “779” was also sold.
Some of the cameras had ‘sonar’ autofocus and/or featured glass lenses, but most had plastic lenses with a fixed focus of around 4 feet.
A “close-up” lens was often included, but this took the form of a simple plastic meniscus that slid into place.
Many of the models are functionally identical to others but have different coloured fascia, names and stickers according to marketing territory. Several models were limited editions with tie-ins to icons of popular culture, such as Barbie or the Spice Girls, while other versions were promotional items made for corporate entities and are now highly collectible thanks to their rarity.
Polaroids were the brainchildren of Dr. Edwin Land
donation to my camera collection, thanks Angie and Mikeintroduced 1959
Lens: 100mm f/8.8, 3-element glass Shutter: 2-speed rotary-leaf design with speeds of 1/25th of a second and 1/100 of a second, plus bulb Flash: M-sync via Polaroid “hot shoe“
Exposure set by Polaroid Light Value scale. (Standard EV scale on 80A and 80B).
Rigid viewfinder on top of camera.
Distance focus by rotating lens front-element.
Self-erecting bellows design.
Steel body painted gray for model 80, brown – 80A & 80B.
Most (but not all) model 80’s have chrome plated trim, especially noticeable on the lens ring. Some model 80’s and all 80A and 80B have polished steel trim.